Preview: Historical Inspiration
For many a director, film history is an important source of inspiration. As an illustration watch the next movie fragment from 23e Street (1901), Edwin S. Porter. It shows a street in New York around 1900. The street has ventilation grids for refreshing the air of the Subway. One can imagine what will happen if the flow of air comes under the skirts of a woman. Start fragment.
More than fifty years later, the same tableau is used for one of the most famous scenes in the history of the movies. The following fragment from The Seven Year Itch (1955), Billy Wilder, shows how the same idea is re-used starring Marilyn Monroe in a classical pose. In a way one can say: history repeats itself. However the precise way of repeating is quite different.


1 A Short History of Film [Viewing duration=02:16:27] 24
1.1 Introduction 24
  Three Reasons 24
  Approach: Film Language, Color and Sound 24
1.2 The Early Years (1895-1905) 25
  Links from a Chain 25
  Recording 25
  Limitations in Time 26
  Limitations in Space 26
  Rules for Shot Succesion 27
  Scene and Breakdown 29
  Sequence: Multiple Scenes 29
  Leaps in in Time and Space 29
1.3 Analysis: The Great Train Robbery (1903) 31
  LessTtheatrical` 32
  Multiple Storylines 32
  Active Camera Handling 33
  Editing 33
  Decoupage of a Scene: 1903-1968 34
1.4 Towards a Film Language (1905 - 1915) 35
  Decoupage: Shot Scales 36
  Decoupage: Camera Angles 36
  Decoupage: Frog and Bird Perspective 37
  Decoupage: Insert Shot 38
  Decoupage: Continuity Errors 38
  Image Composition 39
  Consistent Direction of Movement 40
  Match on Action 40
  Parallel Editing / Cross-cutting 40
  Modern Parallel Editing 41
  Travelling Shots 41
  Flashback / Flash-forward 43
1.5 Further Developments (1915 - present) 43
  Russian Montage (around 1920) 44
  Film in Color (1895-1935) 44
  Two Colors: Kinemacolor (1906-1915) 44
  Technicolor (1915-1935) 45
  Intertitles (1908-1930) 46
  Synchronous Sound (1895 - 1927) 46
  The Digital Era (1960 - present) 47
  Line 1: From Man Made to Computer Animations 48
  Line 2: Real World Animations 48
  Line 3: Special Effects 48
1.6 Summary 48
  Notes 49
  References 50